Levitation Room, a psychedelic rock band hailing from Los Angeles, has woven its sonic tapestry with a kaleidoscopic blend of influences, captivating audiences with dreamy melodies and experimental vibes. Formed in 2012, the band initially consisted of Julian Porte (vocals/guitar), Gabriel Fernandez (drums), and Jonathan Martin (bass). The trio shared a collective vision of crafting music that transcended the conventional boundaries of genre, drawing inspiration from '60s psychedelia, folk, and surf rock. In 2014, Levitation Room released their debut EP, "Minds of Our Own," a sonic expedition that marked their entry into the indie music scene. The EP garnered attention for its nostalgic yet refreshing sound, reminiscent of the Summer of Love. It laid the foundation for their subsequent full-length album, "Ethos," released in 2016, which solidified their position as torchbearers of the psychedelic resurgence. Songs like "Loved" and "Crystal Ball" showcased their ability to seamlessly blend jangly guitars with introspective lyrics, creating a hypnotic sonic atmosphere.
As the band evolved, so did its lineup. In 2017, Glenn Brigman joined as the keyboardist, enriching their sound with vintage organ tones and further expanding the sonic palette. The expanded lineup brought a dynamic energy to their live performances, and Levitation Room quickly became known for their mesmerizing shows that transported audiences to a sonic reverie. The release of their sophomore album, "Headspace," in 2019 marked a maturation of their sound. Tracks like "Mr. Polydactyl Cat" and "Ooh Child" showcased their versatility, experimenting with intricate arrangements and a more expansive sonic landscape. The album received critical acclaim and solidified Levitation Room's status as a force to be reckoned with in the modern psychedelic scene.
In terms of accolades, Levitation Room garnered attention from both critics and peers. Their dedication to pushing musical boundaries earned them nominations and awards, with their work being celebrated within the indie and psychedelic music communities. In 2024, they embarked on a highly anticipated tour, captivating audiences with their immersive live performances. The setlists featured a balanced mix of their discography, blending fan favorites with newer, unreleased material, creating an ever-evolving experience for concertgoers. Levitation Room's commitment to the live experience reflected their belief in music as a communal journey, a sentiment that resonated strongly with their growing fanbase. Overall, Levitation Room's history is a testament to the enduring power of psychedelic rock to captivate and transcend. With a discography that seamlessly weaves through time and influences, a dynamic lineup, and a commitment to pushing the boundaries of their craft, Levitation Room continues to soar to new heights, leaving an indelible mark on the musical landscape. As they navigate the musical cosmos, one can only anticipate the sonic wonders they have yet to unveil.
In a 2024 interview, Lune reflected on the band's prominence at festivals like Levitation Fest and Desert Daze, emphasizing how their recorded music seamlessly transforms into an exceptional live experience. PORTE chimed in, expressing the exhilaration of performing live. According to him, the moments before taking the stage are nerve-wracking, creating a cross-wired anticipation. Once on stage and feeling the warmth of the crowd's reception, Porte described the experience as floating in a dream that unfolds rapidly. Reflecting on live performances, he noted that positive receptions create a surreal, almost religious, experience. The rapid pace of the live show leaves performers contemplating, "Whoa, what just happened?" Conversely, challenging shows can feel excruciatingly long, prompting a yearning for the performance to conclude. Despite occasional difficulties, the majority of their live experiences have been remarkably positive. Porte delved into the transformative nature of live music, likening it to a conduit between the band and the audience. He emphasized the need to recognize that the music transcends individual egos, portraying it as a profound exchange between the performers and the crowd. In his perspective, the audience is there for the music, creating a symbiotic relationship where what the crowd gives, the band reciprocates, fostering a connection that goes beyond the individual elements of the performance.
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